“Watching a performer in her prime, especially in the day of the hundred-forty-character one-liner, is as frustrating as it is thrilling. Beyoncé does nothing wrong live. She sings and dances as if both acts are simply getting easier as she ages, that synchronizing her body and voice to the visual mayhem around her isn’t even something she needs to rehearse. (She rehearsed.)…
Her smiles feel unforced, her high notes unstrained. She’s Beyoncé, the model of a pop star, who retains the right to be our alpha-female performer by never taking it for granted, by visibly loving all of the work the job involves. There’s a difference between being the object of everyone’s gaze and constantly recreating the reason the gaze is there. Who could look at anyone else when Beyoncé is on stage? The game apparently got pretty interesting after the blackout, but that involved some unknown force. (A power outage delayed play for thirty-four minutes right after Beyoncé’s thirteen-minute performance.) Beyoncé is exactly what we know, and it is more remarkable every time she just goes and does it, as if to always obscure the fact that she had to come up with herself first, before we knew her.”

Notes

  1. semipoplife posted this